The work that you see here comes from my first long-term college project. As a person born in the Internet era, I am exposed to a large variety of images everyday; and just like everyone else, I started feeling a bit lost. And that’s when I started to think: Where do these images come from? Where are they going?
So, I started collecting the images I saw on the Internet every day. One by one, I selectively deconstructed them, reorganized them, reconfigured, and interpreted their visual information, and shared the final result on the Internet again. This process eventually became one of the ways I understood images. The result of this project is something I didn’t expect, but kept expecting.
No.457: This work is my construction and deconstruction of three dimensional space on a two-dimensional plane. It is also my vision for the future of human society: the natural world and urban space may blend and subvert each other.
No.360:This is a concise work. I try to magnify and visualize the scene of male gaze and present it to the viewer. In western classicism oil paintings, women’s positions are often depicted as “objects to be stared at.” Such works place the viewer in a male position and look at the surrounding things; but in […]
No.344:In the spatial collection of power relations, the system projects individual identities and forms group unconscious behavior. Daily appearances demarcate the boundaries of emotions: collective unconsciousness and personal will become contradictory. What this work is trying to show is a nightmare, in the dream, I am a sheep in the flock, we are stared at […]
No.305:Youth is chaotic. Hormones and melancholy, violence and purity constitute adolescence. I am in such a period; for the younger generation, the future is full of infinite possibilities, but history is deeply embedded In all the things that young people experience. So where are we going?
In this work, the picture is mainly composed of the abstract landscape of large-scale industrial production and the hustle and bustle of the fashion industry. On both sides of the picture, the models in gorgeous costumes clothes the animals on the grassland show a corresponding relationship; if our living world is being destroyed step by […]
In this work, I put an afterimage as the main body, and the scene in the background is a magnification of anxiety; at present, the boundary between virtual and reality is getting blurred, and the influence of excessive information on the mental state is a problem everyone has to face.
105 Cecil Street, #13-01, The Octagon, Singapore (069534).
You can also reach us at
anushka@theleapgallery.com
sumitra@theleapgallery.com
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